Singapore Oil Painting Roses

Roses Still Life Oil Painting

by Ng Woon Lam

Join NG WOON LAM FAN CLUB to learn more painting tips!

Youtube Video Demo:

RE Interpreting Creativity Group Exhibition Singapore

RE-Interpreting Creativity

Artists: Tong Chin Sye, Ng Woon Lam, Koeh Sia Yong,
Chiew Shuey Fook, Lok Kerk Hwang & Tia Kee Woon

Venue: Li Fine Art
#03-32, 19 Tanglin Road,
Tanglin Shopping Center,
Singapore 247909


Date/Time: 8 - 11 Oct 2008, 11am to 6pm Daily
or by Appointment

TEL: 6235 3306, 8120 1034
Email:lifineartgallery@yaho.com

Supported by LEE FOUNDATION

Singapore Watercolour Oil Painting Lesson Class Schedule

Below are my current Watercolour, Oil Painting and Acrylic Painting lessons and details.

Day	Frequency	Time	Venue	Fees	Medium	Vacancy
Discuss	Private one to one	Discuss Available slots	At your prefered premises	$380 per session of 2.5 hours	Oil Painting / Watercolour / Acrylic	Discuss
Discuss	Private Group	Discuss Available slots	At your prefered premises	Discuss package for multiple session	Oil Painting / Watercolour / Acrylic	Your Preference

Oil Painting Materials required:

Colors : Ivory Black, Arizarin Crimson, Ultramarine Blue, Cerulean Blue or Cerulean Blue Hue, Lemon Yellow, Vermillion, Cadmium Orange or Cadmium Orange Hue, Burnt Sienna or Transparent Oxide Red, Raw Sienna and a larger tube of Titanium White

Brushes : Brittle Brushes, Flat or Filbert, Size 2, 4, 6 and 8

Waste cloth for cleaning paint

Palette: Paper palette or wooden palette

Low Odour Turpentine

Small canvas or acrylic painted watercolor paper

Linseed Oil

2 small bottles for waste turpentine and linseed oil

Detergent (Mama Lemon) / Brush Cleaner for cleaning brushes

MUST HAVE : 6B pencil + A4/letter size Sketch Book

Watercolor Painting Materials required:

Colors : Arizarin Crimson, Ultramarine Blue, Cerulean Blue or Cerulean Blue Hue, Lemon Yellow, Vermillion, Orange, Burnt Sienna or Transparent Oxide Red, Raw Sienna

Brushes : Round size 2 (about 0.2cm diameter), 6 (about 0.5 cm diameter), 12(about 1cm diameter)

Waste cloth for drying brushes

Palette: White plastic palette

Tupperware for water

Watercolor Paper (Schut or Fabriano 22"X30", cut it into 8 pieces)

MUST HAVE : 6B pencil + A4/letter size Sketch Book

Acrylic Painting Materials required:

Colors : Arizarin Crimson, Ultramarine Blue, Cerulean Blue or Cerulean Blue Hue, Lemon Yellow, Vermillion, Orange, Burnt Sienna or Transparent Oxide Red, Raw Sienn, A large tube of Titanium White

Brushes : Brittle Brushes, Flat or Filbert, Size 2, 4, 6 and 8

Waste cloth for drying brushes

Palette: White plastic palette

Tupperware for water

Watercolor Paper (Schut or Fabriano 22"X30", cut it into 8 pieces)

MUST HAVE : 6B pencil + A4/letter size Sketch Book

Singapore New Watercolor Oil Painting Gallery Li Fine Art

Li Fine Art Gallery your personal art consultant

At Li Fine Art Gallery Singapore our goal is to assist fine art collectors in the acquisition of finest artworks. We bring an ever expanding knowledge of the contemporary art market in addition to commitment to personal service that is unique in Singapore and South East Asia. Whether you are a first time buyer or a seasoned collector, Li Fine Art Gallery looks forward to sharing our exclusive inventory with you. Email lifineartgallery@yahoo.com for further information and to receive gallery mailings. Address: to be announced

Singapore Oil Painting Class Lesson Video Demo

Singapore Oil Painting Class Lesson Video Demo
Ng Woon Lam MFA NWS



Kampong Buangkok, Last Village in Singapore
Ng Woon Lam Outdoor Landscape Painting

Singapore Art Lesson Floral Oil Painting Demo Ng Woon Lam

Singapore Art Lesson

Floral Oil Painting Demo Ng Woon Lam

Roses

Memories by The Lake Art Exhibition IIV 湖畔美展

Memories by The Lake Art Exhibition IIV 湖畔美展

by Singapore Art Society & Committee of the “Memories by The Lake Art Exhibition”

Venue : Ngee Cultural Centre, 97 Tank Road, Singpaore
Date : 15th to 18th Dec 2007
Time : 11am to 5:00pm, (18th Dec 11am to 5:00pm)

Opening : 15th Dec 2007, 3:30pm by Mr. Chua Hun Cheong, Former Principal of Chung Cheng High School.

Ng Woon Lam Event Update

Check the upcoming International Artist Magazine, the 54th Issue, for Woon Lam's latest watercolor painting article

Woon Lam's watercolor is selected into American Watercolor Society ( AWS ) 140th Annual International Juried Exhibition 2007 -- Jury of Selection : Janet Walsh, Louise R. Cadillac, Lalit K. Masih, Barbara Nechis, Stve Rogers (Invited Juror), Jada Rowland

At: Salmagundi Club, 47 Fifth Ave, New York City, NY 10003 TEL: 212-206-8986
Dates of Exhibition March 27 through April 22; Hours 1 to 5 PM Daily except Tuesdays, 1 to 8 PM. Closed Mondays

Ng Woon Lam Watercolor Painting





Collect This Painting
Title : Morning Cofee
Size : 14"X11"
Medium : Watercolor on Paper
More paintings at :Li Watercolor Store

Singapore Artist Ng Woon Lam

Observation Painting Tips

Ng Woon Lam

Observation Painting Tips

Seeing is a dynamic behavior. To explain this, I use this simple e.g. here.

When I look into a dark place, my eyes start tuning to observe in the dark. Slowly, I am able to see more things. Then I suddenly move my eyes to a very bright place, I could not stand the brightness because my eyes are still tuned for the previous dark space. Again, slowly, I am able to adjust for the light. This scientifically proven behavior of eyes explains the dynamics of tonal observation. And, for colors, eyes work the same way.

When I stare at a piece of RED hot object, if I close my eyes, I see a blue/green pattern of the subject. My brains adjust to the complementary color to balance the shock of hot RED. Therefore color observation is also dynamic. So the question is 'Am I sure what I am seeing?'. My answer is 'NO'.

Many art teachers and art academy force students to observe 'EXACTLY' when they paint. I am not against that. This helps students to see more variation. However, every art students should know this basic TRUTH that they are not trying to 'MATCH' the color exactly. It is a training to search for colors and tonal structures and add them to one's visual dictionary.

In addition, sun light luminosity is about 10,000 times strongest than the BEST and the brightest painting material in the market. There is no way to duplicate the type of luminosity of direct lighting. Watercolor paintings look more luminous on computer screen than the original because computer screen is direct lighting while looking at paintings we are seeing reflected light. Sun light is even more luminous compared to computer screen.

So what do I do to show my observation experience. Generally, I paint brightest for light and paint darker for dark space. I key higher in chroma if I want the color to be brought out.

My rule is : Observe for variations BUT make decision for what my paintings need.